ARTISTS
Nottle Theatre Company, Naomi Ota, Madeleine Flynn and Tim Humphrey
@Naomi Ota ©Victor Frankowski
Nottle Theatre Company, Naomi Ota, Madeleine Flynn and Tim Humphrey
Korea／Japan／Australia／Theatre Company／visual artist／sound artist
Since 2007, this creative group of artists has created nine works andpresented their works in four different countries. The cross-art form collaboration is marked by the artists’ shared practice of immersion with respective cultures, grown through the process of living and learning together. This allows us to develop the intercultural fluency and depth of trust to provoke the conceptual frames for an evolving contemporary and Asian-based practice. Each artist brings their particular expertise into deep social engagement that serves ethical awareness, and commitment to work for long-term impact.
2021 project
この家で — 이 집에서
-
“Enshrined time - in empty house“, 2017, Hooyong Festival, Korea ©Naomi Ota
1/1
An international collaboration project on the globally ongoing issue of depopulation in rural cities by an artist and two artists group, Nottle Theatre Company from Korea, a Japanese visual artist Naomi Ota and sound artists Madeleine Flynn and Tim Humphrey from Australia.
The artists will research the intimate and highly-specific histories of unoccupied houses in Toyooka and work to create a multidisci- plinary site-specific performance constructed with texts, performers, sets and sounds, using research findings as inspiration. The indige- nous stories will be reassembled into a performance with the intent of achieving the two-way communication with the local community. The performance will be presented at a festival organized at Hooy- ong Performing Arts Center, where Nottle works as a resident com- pany, in summer 2021.
ウォン・ヨンオ(劇団ノットル)、 太田奈緒美、
マデレイン・フリン & ティム・ハンフリー
2007 年より活動を共にする、アーティスト ・グループ。これまでに 9 つの作品を創作し、 4 カ国にて発表している。互いの文化に没
入し、共に生活し学ぶプロセスによって培 われることが特徴的なジャンルを超えたコ ラボレーション。異文化間の流暢性と深い 信 頼 を 養 う こ と で 、進 化 し 続 け る ア ジ ア を 基盤とした現代芸術表現に対峙する概念 枠を誘発する。各アーティストがそれぞれ の専門領域を社会に深く関与する倫理的 美学に取り入れ、長期的なインパクトを伴 う創作にコミットしている。
Nottle <nottle.kr> NaomiOta<naomiota.com> Madeleine Flynn and Tim Humphrey <madeleineandtim.net>
Won Young-oh
(Nottle Theatre Company),
Naomi Ota,
Madeleine Flynn and Tim Humphrey
Since 2007, this creative group of artists has created nine works andpresented their works in four different countries. The cross-art form collaboration is marked by the artists’ shared practice of immersion with respective cultures, grown through the process of living and learning together. This allows us to develop the intercultural fluency and depth of trust to provoke the conceptual frames for an evolving contemporary and Asian-based practice. Each artist brings their particular expertise into deep social engagement that serves ethical awareness, and commitment to work for long-term impact.
The artists will research the intimate and highly-specific histories of unoccupied houses in Toyooka and work to create a multidisci- plinary site-specific performance constructed with texts, performers, sets and sounds, using research findings as inspiration. The indige- nous stories will be reassembled into a performance with the intent of achieving the two-way communication with the local community. The performance will be presented at a festival organized at Hooy- ong Performing Arts Center, where Nottle works as a resident com- pany, in summer 2021.
ウォン・ヨンオ(劇団ノットル)、 太田奈緒美、
マデレイン・フリン & ティム・ハンフリー
2007 年より活動を共にする、アーティスト ・グループ。これまでに 9 つの作品を創作し、 4 カ国にて発表している。互いの文化に没
入し、共に生活し学ぶプロセスによって培 われることが特徴的なジャンルを超えたコ ラボレーション。異文化間の流暢性と深い 信 頼 を 養 う こ と で 、進 化 し 続 け る ア ジ ア を 基盤とした現代芸術表現に対峙する概念 枠を誘発する。各アーティストがそれぞれ の専門領域を社会に深く関与する倫理的 美学に取り入れ、長期的なインパクトを伴 う創作にコミットしている。
Nottle <nottle.kr> NaomiOta<naomiota.com> Madeleine Flynn and Tim Humphrey <madeleineandtim.net>
Won Young-oh
(Nottle Theatre Company),
Naomi Ota,
Madeleine Flynn and Tim Humphrey
Since 2007, this creative group of artists has created nine works andpresented their works in four different countries. The cross-art form collaboration is marked by the artists’ shared practice of immersion with respective cultures, grown through the process of living and learning together. This allows us to develop the intercultural fluency and depth of trust to provoke the conceptual frames for an evolving contemporary and Asian-based practice. Each artist brings their particular expertise into deep social engagement that serves ethical awareness, and commitment to work for long-term impact.
