ARTISTS
Oriza Hirata + Kaito Nakahori
Oriza Hirata
Japan/Playwright and Director
Playwright and director. President of the Professional College of Arts and Tourism. He received the 39th Kishida Kunio Drama Award in 1995 for "Tokyo Note," the 22nd Tsuruya Nanboku Drama Award in 2019 for "The History of the Rise and Fall of Japanese Literature," and Chevalier of the Ordre des Arts et des Lettres from the French Ministry of Culture and Communication in 2011. He has written and directed operas, including "Stilles Meer" (composed by Toshio Hosokawa) at the Hamburg State Opera in 2016 and "Zero" (composed by Kaito Nakahori) at the Toyooka Theater Festival in 2020.
photo by Michel Nafziger
Kaito Nakahori
United States of America/Composer
A Japanese-born composer based in New York, USA, Nakahori began composing under the influence of Toru Takemitsu's music and gagaku, traditional Japanese court music. He advocates the concepts of “timeless music” in which sound and silence are interwoven in a meditative and hazy tonal world, and “spacetime music” in which sound image and acoustic changes are expressed. Since his portrait concert at the United Nations Headquarters in 2015, he has presented a variety of compositions from opera to gagaku around the world, and has collaborated in the fields of theater and the visual arts. In 2025, he will launch Mito International Music Festival as its director.
In 2025, the theater opera "The Planet without Sound - Clockwork Universe" will be co-produced and staged at Toyooka Theater Festival, Setouchi Triennale, and Mito International Music Festival.
In 2025, the theater opera "The Planet without Sound - Clockwork Universe" will be co-produced and staged at Toyooka Theater Festival, Setouchi Triennale, and Mito International Music Festival.
2025 project
Theater Opera "The Planet without Sound - Clockwork Universe"
1/4
Playwright and director Oriza Hirata and composer Kaito Nakahori will work on their second theater opera. With the themes of the universe and imagery, the latest 3D audio technology will be used to create a multidimensional space in which Hirata's contemporary colloquial theater and Nakahori's contemporary music arias featuring vocalise (singing technique using vowel sounds or nonsense syllables) alternate. The work is a result of exploration to realize an ultimate art work where elements of contemporary theater, music, and art interact.